Sunday, January 31, 2016

Best and Worst Movies of the Year 2015

Apologies for the lateness of this post- I blame Oscar season! Some of the best movies of 2015 actually don't open until 2016! So how is anyone supposed to write a real best-of list at the end of December? Grumble grumble grumble...
Let's jump right in, shall we?

The Top 10 Best Movies of the Year

10. Mad Max: Fury Road
To all who know me, know this isn't my type of movie. Sure I like action just fine, but something about it taking place entirely in the desert isn't appealing. (The whole movie is shot in a sickening orange filter.) But even I had to admit this was the best action movie of the year, with non-stop chases, intense fight scenes, and a surprising amount of badass female characters in a movie filled with this much testosterone. Indeed, the real star of the movie isn't Max at all, but Charlize Theron's Furiosa. (I never did entirely "buy" Tom Hardy in the lead role.) This reboot has indeed rebooted the old franchise with new blood; a sequel is already in the works.










9. The Walk
Not many people saw this movie, possibly because it might remind them of 9/11. Never fear, that event isn't even mentioned. This is about the stranger-than-fiction true story of Philippe Petit, the French street performer who travelled to New York City in the 70s, strung a tightrope between the unfinished World Trade Center twin towers, and walked across it as his ultimate street performance. That he survived the experience is astounding; the fact that he did it for absolutely no reason even more so. This is the kind of movie that had to be seen in a movie theater, ideally in 3D; because that climactic walk really does succeed in taking the viewer out onto the wire with him- and it looks down.










8. The Hateful Eight (duh)

Not the best Quentin Tarantino movie, but classic Tarantino all the same. His movies have always followed a basic formula: dialogue, characters, and blood. So for this movie, he boiled it down to just the basic ingredients: eight characters in a room, talking to each other, and it gets bloody. Mystery lovers will have a ball trying to guess who is the bad guy, and they probably won't be able to figure it out until the end. The greatest thing about this movie: it's almost three hours long, but never gets dull. Not for a single minute.











7. Bridge of Spies
The true story of an insurance lawyer hired to defend a Russian spy at the height of the Cold War, and later sent to negotiate a swap for an American spy pilot. This history lesson, under the direction of anyone else but Steven Spielberg, would be a snoozer. But Spielberg proves he's still the greatest in the business as he pushes the exact right buttons at the exact right moments. Tom Hanks is his equal, as the audience sees the injustice and fear through his eyes. The highlight of the film is any conversation between Hanks and Mark Rylance as the accused spy, who plays the condemned man with little more than a shrug.









6. Room

The synopsis alone is enough to send most casual moviegoers running: a young woman is held hostage in a tiny shed for years, raising her 5-year-old son conceived by her captor, and plotting her escape. What makes the film different from what you'd think is that it's told from the perspective of the little boy. His mother guards him from the bad man, and thus the audience is spared seeing the worst of the violence. Instead we see what life is like for him in those four walls, as they play, get educated, and talk about the outside world. Psychologists could have a field day studying the pair, but audiences simply breathe a sigh of relief as we realize that this horror movie is actually an uplifting and inspirational love story. An emotional roller coaster, yes, but inspirational is the predominant emotion.







5. Trainwreck

This year's Bridesmaids. The rising star this time is Amy Schumer, who effortlessly makes the transition from TV star to movie star as a bed-hopping journalist who accidentally falls in love with a decent guy and doesn't know how to deal with her emotions. Rude, brash, sexual, and endlessly quotable, this was by far the best comedy of the year and another benchmark of feminism in cinema.













4. The Revenant

The movie that will finally (finally!) win Leonardo DiCaprio his Oscar... lest a mob forms outside the ceremony. The bizarre true story of Hugh Glass, a fur trapper who's mauled by a bear and left for dead by his companion, who also killed his son. Instead of accepting his fate, he crawls out of his own grave and walks hundreds of miles, braving wolves and Indians, to get his revenge. After his Oscar wins for Birdman, director Alejandro G. Iñárritu could have done something very similar, but instead did a complete 180 and did something completely different. Shooting entirely on location using only natural light, but still utilizing long takes and tracking shots, the audience is placed right next to our characters. The film's beauty is stunning; its violence is jarring. Leo looks so damn cold you feel the need to wear a coat in the theater. Not only one of the best movies of the year, but truly a cinematic experience.






3. The Martian

One of the most thrillingly entertaining movies of the year. While the premise is simply Cast Away in space, it plays out more like a higher-stakes Apollo 13. Matt Damon plays a biologist astronaut left behind on Mars with no way of contacting Earth and a dwindling food supply. Ridley Scott's film cuts back and forth between Mars and Earth, as Damon solves the countless problems of living on an inhospitable planet and finding a way home, and the team at NASA tries desperately to rescue him before he starves to death. Oh, and did I mention how funny the film is? Damon's character uses humor to keep himself sane, and the constant laughs elevates the film to another level. The conclusion is never really in doubt, but watching it unfold is a rush of adrenaline, and pure movie magic.







2. Star Wars: Episode VII- The Force Awakens

As hollow as the prequel films felt, I was still hesitant about Star Wars sequels without the guidance of George Lucas. While other fans put on their costumes and cheered at the midnight premiere, I remained cautiously optimistic. I needn't have worried. J.J. Abrams and the Lucasfilm crew have given us an epic of pure nostalgia that manages to perfectly marry past with future. Yes, we can quibble about plot points, limited screen time for beloved characters, and about how truly evil the new villain is- but the entertainment value of the film can't be denied. Exciting, funny, and visually stunning, it demands repeat viewings, it elicits endless discussions and predictions, and made millions of people afraid of social media lest someone spoil THAT final twist. Oh, and quit making fun of Carrie Fisher. When you're her age, you won't be headlining a billion-dollar movie franchise.
Disappointed it's not in the first-place spot? Well, get over it. That honor was reserved for...
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